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Igreja da Misericórdia | Largo Dr. António José de Almeida, 4480-754, Vila do Conde
30
Jan

30
Jan
2026
21h30
Concerto
Palcos
Villa Organi
3rd Edition of the Historic Organ Concert Series of the Church of Mercy (Igreja da Misericórdia) of Vila do Conde

Comprar bilhetes:

Villa Organi
Santa Casa da Misericórdia de Vila do Conde | José Lima Ferreira

At the Church of Mercy(Igreja da Misericórdia) of Vila do Conde, throughout 2026, from January to December, ten lecture-recitals will take place, offering a deeply enriching journey through European organ music from the 16th to the 19th centuries.

André Bandeira, principal organist of the Church of the Santa Casa, with his distinctive interpretative sensitivity, will elevate each moment beyond mere musical enjoyment, transforming it into an artistic and educational experience.

In an engaging manner, the historical, social, and cultural contexts that shaped the repertoire, styles, and the various European organ schools will be evoked.


PROGRAMME

Concert I — 1500–1600
Major European Centres


ITALY

  • 1533 – Andrea Gabrieli (1585)
    Intonazione del 8th tone

  • 1533 – Claudio Merulo (1604)
    Canzona “La Cortese”

  • 1525 – Girolamo Cavazzoni (1577)
    Ricercare IV


FRANCE, ENGLAND, GERMANY

  • c. 1494 – Pierre Attaingnant (1551)
    Four Danceries for Organ

  • Anonymous (early 16th century)
    My Lady Careys Dompe

  • 1483 – Hans Buchner (1538)
    Sequentia in Resurrectione Domini


SPAIN

  • 1510 – Antonio de Cabezón (1566)
    Diferencias sobre el canto llano del Caballero
    Pavana con su glosa


PORTUGAL

  • c. 1525–1530 – António Carreira (c. 1589–1597)
    Canção a 4 glosada

  • 1555 – Manuel Rodrigues Coelho (1635)
    First Tiento of the 2nd Mode

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At the Church of Mercy(Igreja da Misericórdia) of Vila do Conde, throughout 2026, from January to December, ten lecture-recitals will take place, offering a deeply enriching journey through European organ music from the 16th to the 19th centuries.

André Bandeira, principal organist of the Church of the Santa Casa, with his distinctive interpretative sensitivity, will elevate each moment beyond mere musical enjoyment, transforming it into an artistic and educational experience.

In an engaging manner, the historical, social, and cultural contexts that shaped the repertoire, styles, and the various European organ schools will be evoked.


PROGRAMME

Concert I — 1500–1600
Major European Centres


ITALY

  • 1533 – Andrea Gabrieli (1585)
    Intonazione del 8th tone

  • 1533 – Claudio Merulo (1604)
    Canzona “La Cortese”

  • 1525 – Girolamo Cavazzoni (1577)
    Ricercare IV


FRANCE, ENGLAND, GERMANY

  • c. 1494 – Pierre Attaingnant (1551)
    Four Danceries for Organ

  • Anonymous (early 16th century)
    My Lady Careys Dompe

  • 1483 – Hans Buchner (1538)
    Sequentia in Resurrectione Domini


SPAIN

  • 1510 – Antonio de Cabezón (1566)
    Diferencias sobre el canto llano del Caballero
    Pavana con su glosa


PORTUGAL

  • c. 1525–1530 – António Carreira (c. 1589–1597)
    Canção a 4 glosada

  • 1555 – Manuel Rodrigues Coelho (1635)
    First Tiento of the 2nd Mode

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ORGANISATION | Santa Casa da Misericórdia de Vila do Conde
SUPPORT | Vila do Conde City Council
VENUE | Church of Mercy of Vila do Conde
TIME | 9:30 PM

PRODUCTION | Maria do Céu Maia | Cultural and Religious Department of the Santa Casa da Misericórdia de Vila do Conde
MUSICAL DIRECTION & PERFORMER | André Bandeira | Santa Casa da Misericórdia de Vila do Conde
EDITORIAL DESIGN | José Lima
PHOTOGRAPHY | Insonia Image Production

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Month

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