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At the Church of Mercy(Igreja da Misericórdia) of Vila do Conde, throughout 2026, from January to December, ten lecture-recitals will take place, offering a deeply enriching journey through European organ music from the 16th to the 19th centuries.
André Bandeira, principal organist of the Church of the Santa Casa, with his distinctive interpretative sensitivity, will elevate each moment beyond mere musical enjoyment, transforming it into an artistic and educational experience.
In an engaging manner, the historical, social, and cultural contexts that shaped the repertoire, styles, and the various European organ schools will be evoked.
PROGRAMME
Concert I — 1500–1600
Major European Centres
ITALY
1533 – Andrea Gabrieli (1585)
Intonazione del 8th tone
1533 – Claudio Merulo (1604)
Canzona “La Cortese”
1525 – Girolamo Cavazzoni (1577)
Ricercare IV
FRANCE, ENGLAND, GERMANY
c. 1494 – Pierre Attaingnant (1551)
Four Danceries for Organ
Anonymous (early 16th century)
My Lady Careys Dompe
1483 – Hans Buchner (1538)
Sequentia in Resurrectione Domini
SPAIN
1510 – Antonio de Cabezón (1566)
Diferencias sobre el canto llano del Caballero
Pavana con su glosa
PORTUGAL
c. 1525–1530 – António Carreira (c. 1589–1597)
Canção a 4 glosada
1555 – Manuel Rodrigues Coelho (1635)
First Tiento of the 2nd Mode
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At the Church of Mercy(Igreja da Misericórdia) of Vila do Conde, throughout 2026, from January to December, ten lecture-recitals will take place, offering a deeply enriching journey through European organ music from the 16th to the 19th centuries.
André Bandeira, principal organist of the Church of the Santa Casa, with his distinctive interpretative sensitivity, will elevate each moment beyond mere musical enjoyment, transforming it into an artistic and educational experience.
In an engaging manner, the historical, social, and cultural contexts that shaped the repertoire, styles, and the various European organ schools will be evoked.
PROGRAMME
Concert I — 1500–1600
Major European Centres
ITALY
1533 – Andrea Gabrieli (1585)
Intonazione del 8th tone
1533 – Claudio Merulo (1604)
Canzona “La Cortese”
1525 – Girolamo Cavazzoni (1577)
Ricercare IV
FRANCE, ENGLAND, GERMANY
c. 1494 – Pierre Attaingnant (1551)
Four Danceries for Organ
Anonymous (early 16th century)
My Lady Careys Dompe
1483 – Hans Buchner (1538)
Sequentia in Resurrectione Domini
SPAIN
1510 – Antonio de Cabezón (1566)
Diferencias sobre el canto llano del Caballero
Pavana con su glosa
PORTUGAL
c. 1525–1530 – António Carreira (c. 1589–1597)
Canção a 4 glosada
1555 – Manuel Rodrigues Coelho (1635)
First Tiento of the 2nd Mode
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ORGANISATION | Santa Casa da Misericórdia de Vila do Conde
SUPPORT | Vila do Conde City Council
VENUE | Church of Mercy of Vila do Conde
TIME | 9:30 PM
PRODUCTION | Maria do Céu Maia | Cultural and Religious Department of the Santa Casa da Misericórdia de Vila do Conde
MUSICAL DIRECTION & PERFORMER | André Bandeira | Santa Casa da Misericórdia de Vila do Conde
EDITORIAL DESIGN | José Lima
PHOTOGRAPHY | Insonia Image Production
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